it probably seems like i cry over stupid shit but tbh i usually end up crying because i’ve stored up all of my upset feelings from multiple things rather than express them and then the littlest thing sets me off like spilling my drink may not be that big of a deal but when i’ve stored up that many negative emotions it feels like i busted a hole in the hoover dam
when yo friend is considering watchin yo favorite show
oKAY BUT CAN I JUST POINT SOMETHING OUT IN THIS SCENE WHERE KILLIAN DROPS EMMA OFF?
as a fellow film student here (hi there), I’m always told by my teacher that during the shooting of my practicals/short films, a scene should be properly lit to show an actor’s face unless the lack of light is purposeful to the film/plot and deliberate. (make sure you remember this. it’s important for the entire meta)
When Emma and Killian are together in a shot, they’re properly lit and you can see their faces clearly.
When they kiss, the lighting is extremely bright and manages to capture the entirety of both their faces.
I don’t know about you but I’m pretty sure that this reflects their lives when they’re with each other. Emma is Killian’s light just as much as Killian is Emma’s. Together they share light-hearted moments worth shining a light upon as opposed to all the dark times in their lives.
THAT is what I think the intention of the lighting is in this part of the scene.
Now let’s fast forward to after Emma enters the apartment and closes the door…
I never ignore the visuals of the mise en scène (everything that appears in front of the camera) in a shot. So what’s so special about this moment?
^^ This is when Emma closes the door and is no longer in the presence of Killian. Not only do we see the light on Killian’s face disappearing, we also see that Killian is standing more towards the right side of the mise en scène/shot. This somehow gives an illusion that there’s something missing in the shot and as it is missing, it’s somewhat sad. The audience sees that Emma is what’s missing since she was previously standing to the left of the frame. As Emma is missing, so is the light that was previously there. Or in other words, Killian’s light.
(I shall rewind back to when I said that I’ve been told lighting, or lack of lighting, is often used deliberately)
Killian’s face turning dark also reflects his past life as a pirate and what his life was like before Emma. Past!Killian didn’t have love (not after when Liam and Milah died) nor did he have light in his life.
What I’m trying to say is: this use of cinematography further addresses and reflects how much Emma means to Killian.
With Emma, his life has moments worth shining a light on.
The lighting also shows how much Killian means to Emma when they’re both under bright lighting. i’M SORRY I DON’T EVEN KNOW WHAT I’M TALKING ABOUT ANYMORE I’M JUST A BUNDLE OF EMOTION LYING ON THE FLOOR LEAVE ME BE
oh and i’m sorry this was rUDE
These particular moments/interactions between Killian and Emma really stood out to me for some reason. At the beginning of the episode, Emma opens the door and just admires Hook in his new clothes, noticing nothing about his hand. He then literally gives her a rose with his left hand (where is hook should be)… and she still notices nothing out of the ordinary. She accepts the rose happily and continues to talk to him. It’s not until Snow interrupts and says "…Emma…" when Emma finally realizes that Killian’s hook is gone, and that he has his hand back. Even so, she just shrugs it off like it’s no big deal and jokes, “So what do I call you now, Captain Hand?”
Then at the end of the episode, Killian walks into the police station holding his hook and adjusting it, because it’s all he can focus on. It’s all he’s been worrying about the entire episode. But Emma turns around to talk to him, and once again, notices nothing different. She then walks towards him, flirting a little bit. Then finally after that, she realizes his hook is back and she asks "what the hell happened to your hand?". Right after Hook explains the situation, she has no reaction or response. She walks away nonchalantly, un-phased and unaffected, with no care in the world.
My point is that Emma doesn’t even care or pay attention to the fact that Killian has a hook or a stump or an actual hand; whereas it’s all Killian can think about. He’s so preoccupied with getting his hand back. He struggles with the fact that he doesn’t have two hands to hold her with, and we found out in this episode that it’s actually something he’s really insecure and self-conscious about. He’s so concerned about his lack of a hand that he doesn’t even realize how unaffected and un-phased Emma is by it.
She loves him exactly how he is, regardless of a hand or a hook. That stuff is petty and unimportant to her. She just wants him. And I just love that so much.
So here we are Captain, still in business together. I think you and I are going to have some fun.
#hate all you want#these two actors balance off each other so well#you don’t get actors like robert and colin everyday on tv#these two are fantastic scene partners#and i love there’s this hatred tension between hook and rumple#that’s why it makes their scenes so delicious and fabulous#i am seriously looking forward to their scenes#bc i need this dynamic duo more on my screen#plus the fucking celtic bonding#*#golden hook (via rumplestiltskin)
I was at a horse race yesterday when some kid lost his balloon…
This is exactly what snapchat was created for